Girls With Balls (2018) Review

AKA a trashy, horny and dull flat line with all the charm and depth of an egg cup.
1/5 screams

SPOILERS AHEAD AND MATURE CONTENT:

Recently I’ve been on a bit of a horror-comedy binge. For those of you who know me, I know you’ll be shocked by this. I’ve always been very, very, anti-horror-comedies. I think, mainly, for most of the reasons i’ll give in this review. They tend to be generic bloodbaths with the odd dark joke or laugh thrown in. I’ve always hated them, so I decided to conduct an experiment. I watched two in one night and decided to compare them mentally. I was going to do a contrast review between ‘Girls with Balls’ and ‘Cockneys Vs Zombies’ but realised that if I were to concentrate on comparing the two then I might lose the initial spark, the description and intimacy.

As part of this curiosity study, I watched it like I would have done at thirteen. Open-minded, unaware of tropes and cliches and reader reception theory. An English teacher I had for A levels once joked that his marriage ended because English destroys your brain so that you can longer enjoy a book or film without intensely over-analysing it. It’s a tough ole’ life being a writer, what can I say. Anyway, back at the ranch this film is a synthetic, shallow exploration of, well, basically nothing.

Even early on in the narrative you can sense the bland atmosphere. There’s no hook, nothing intriguing or even eye-catching. When a film is so uninteresting that you spend the run time scrolling through Twitter, this is not a compliment to the film. One of my main problems with it is the characterisation. The MC’s are unlikeable, nothingy, hypersexualised and as interesting as cotton wool. How are we meant to care about the deaths, the blood, the chaos when the characters themselves are just dull – cardboard dialogue, attempts to be comedic that just crash and burn as they leave the actors’ mouths. BUT, for Morgan’s sexy dance scene…I can forgive them a little.

Side note: who on earth is the singing narrator? Which of the writers of this travesty decided ‘oh, you know what we really need here – a guy with a guitar who plays no real role in the movie, just pops up now and then to sing country narrations’. Just..what? He does not add anything to the film. He’s not amusing or necessary. The first thing that did actually make me laugh was as blondie tries this odd stripping sequence whilst wearing a falcon helmet. As she begins to show her breasts, the two men begin making out and this subverted expectation actually does work pretty well as a small laughing prompt.

I have an issue with Morgan – I’m sorry but her stabbing the team leader twice with a machete just comes straight out of nowhere. Okay, she’s a bit of a bitch but there’s a pretty large difference between being a dick and being a murderer. Jesus, imagine if they were the same. My dating history would just be a list of straight up psychopaths. But, I digress, two of the most visually interesting sequences are two that, I will admit, did make me think. Firstly, the f***ing chihuahua scene. Warn me, people! I cannot cope with dogs dying…it wasn’t funny, just sad and gross. Why, just why? Also the headless body – what is with that guy? I mean it’s not exactly Mike the chicken here (If you have no idea what i’m talking about, please google ‘Mike the chicken’ he lived for two years without his head. What a legend. “Come at me bitches, I’m not becoming nuggets’.) and he stumbles around seemingly with consciousness, for flipping ages. Ugh.

Returning to chickens, briefly, the only scene that made me jump was when an unexpected chicken appears from the bushes. Now, that’s not exactly a compliment for the movie. As I mentioned, the characters are so underdeveloped and so are the villains. They’re not intimidating, disgusting or even interesting. How can you have any emotional connection, fear or disgust when the villains don’t even utter one word of dialogue. We are completely unaware of their motivations, their flaws, their narcissistic pathologies. All we see are men in dress up with a bit of face paint. Bad, bad writing ya’ll. Seriously, this film was 1 hour 17 minutes of my life I’ll never get back.

Second side note: using your only phone call to scald a cheating boyfriend is just utterly ridiculous.

One thing I realised, this film could’ve been fantastic if it was an exploration of Morgan’s devolution into madness and murderous impulses. If it was a character piece, like ‘American Mary’ or ‘Maniac’ it could have been a great watch. But instead we’re given a monotonous, drab and wearisome hunting flick that neither raises your adrenaline nor holds your attention for more than five minutes.

Overall, this film is a tedious, bland, tired rehash of every teen slasher flick, complete with every weatherworn cliche and kinky stereotype to hook in horny preteens. It has no goals, depth or intelligence. (Sadly, I did write far more than this about this particular flick at about 2am last night but somehow didn’t save 3/4 of it so I’ve tried my best to regurgitate the main points).

The moral of our story, as you can plainly see, defend yourself from rapists by learning to volley”. Okay…but they weren’t rapists?

I am so done with this film. Ugh. Do yourself a favour and don’t watch it. Just…don’t.

Movie Review: The Perfection (2019)

AKA ‘Well that came out of nowhere, didn’t it?’
4/5 screams.

SPOILERS AHEAD

I thought i’d get this review out of my system whilst I can still remember my natural reactions to this latest release of Netflix’s homegrown horrors. Funnily enough this was one of the films that made me realise how much I wanted to start this blog. So, manners remembered, thank you Richard Shepherd for your inspiration. After ‘The Babysitter’, ‘Annihilation’, ‘The Open House’, ‘Before I Wake’ amongst others which compile the very mixed bag I had my doubts but tried to go in with an open mind anyhow.

Despite initial concerns about the ambiguous premise and trailer, on one Sunday morning I wrestled in bed with a delightful hangover. Downing orange juice like there was no tomorrow and cuddling into a fort made of pillows, I saw this film pop up on Netflix. I looked the trailer up in my fugue and, in hindsight, I now have very mixed feelings about the scene they chose for the promotional video. I think it was a very clever hook and certainly gripping but it was also such an important crux of the whole twisted journey that I think it may have been worth keeping it back in the arsenal. But maybe that’s just me.

One thing I loved about this movie was how multilayered its sub-genre identification is. Half of it was this shadowy, psychological thriller yet there were elements of body horror in there. The latter part of this artistic, paranoid tapestry even morphs into a revenge film. Instead of, as discussed in my review of ‘The Shrine’, getting lost in the chaos of different tropes it instead picks and chooses very certain and deliberate themes from each sub-genre without muddying the tone.

Honestly the atmosphere of this film is superb. Erotic, tense, bloody, twisted and oh so moody. The reds and beauty of the colour scheme transforms it into something elegant and wrong, something you know you shouldn’t be loving but you really are.

We can’t talk about ‘The Perfection’ without talking about the acting. There wasn’t one character I didn’t believe and didn’t have some sort of relationship with, even if it was revulsion or fear. The sexual connection in the beginning between the two female protagonists is beautiful and sensual and perfectly delicate. Now that is a sign of fantastic writing and production. The cherry on the cake was the music, these stunning eerie violins and cellos, you can almost taste the anxiety of being perfect in each piece.

Then, before I stop gushing over this film, the ending was an absolute grenade to the guts. I didn’t see it coming in the slightest, it was messy and perfectly balanced between shocking visuals, disgust and sympathy yet distracted by how stunning the music is.

Seriously, if you haven’t seen this film go and watch it now – it’s this darkly witty, sharp, sexy and stunningly captured expression of desire, abuse, self-esteem and even, somehow, morality. So clever. I plan on watching it again over the coming weeks and possibly doing a video review.

So what did you guys think about ‘The Perfection’? Do you agree with me or do you think it was trying too hard to be different, trying to be a piece of art rather than a film? Let me know in the comments.

Otherwise, don’t scream, see you next time.